Tag Archives: Symphony Orchestra

Christoph Gluck: Iphigénie en Aulide, Wq. 40: VIII. Gavotte in A Major


Iphigénie en Aulide, Wq. 40: VIII. Gavotte in A Major

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Svetlanov conducts Tchaikovsky – Capriccio italien, Op. 45: great compositions/performances


Svetlanov conducts Tchaikovsky – Capriccio italien, Op. 45

Great Compositions/Performances: Smetana, Kubelik: Ma Vlast (The Moldau, 2/6)


[youtube.com/watch?v=HVJePP3MRCY]

From:  Ma Vlast:
II: Vltava (The Moldau)

Bedrich Smetana, composer
Chicago Symphony Orchestra, Rafael Kubelik
Studio Recording, 1952 (Mercury Living Presence)

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GREAT PERFORMANCES: Emil Gilels “Symphonic Variations” by C. Franck



Symphonic Variations for Piano and Orchestra
by César Franck
Emil Gilels, piano
Radio Symphony Orchestra of the USSR
Karl Eliasberg, conductor
04.III.1951
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From Wikipedia, the free encyclopedia

The Symphonic Variations (Variations symphoniques), M. 46, is a work for piano and orchestra written in 1885 by César Franck. It has been described as “one of Franck’s tightest and most finished works”,[1] “a superb blending of piano and orchestra”,[2] and “a flawless work and as near perfection as a human composer can hope to get in a work of this nature”.[3] It is a fine example of Franck’s use of cyclic unity, with one theme growing into various others.[4] The piano and orchestra share equally in the continuous evolution of ideas.[3] The work is in F-sharp minor (with the last movement in F-sharp major). Duration in performance is about fifteen minutes, and the instrumentation is piano solo and orchestra: pairs of flutes, oboes, clarinets, and bassoons; four horns; two trumpets; timpani; and strings.[5]

The work was dedicated to Louis Diémer, who on 15 March 1885 had premiered Les Djinns – a symphonic poem for piano and orchestra that brought Franck one of his rare critical successes. He promised to reward Diémer with “a little something”, and the similarly scored Symphonic Variations was the result.[6] Franck started work in the summer of 1885, and completed the piece on 12 December.

In 1946 the choreographer Frederick Ashton used Franck’s work for a ballet, also called Symphonic Variations.

Ralph Vaughan Williams‘s Fantasia (quasi variazione) on the Old 104th Psalm Tune for piano, chorus, and orchestra (1949) has some similarities to the Symphonic variations, but it lacks Franck’s adherence to classical variation form.[10]

 

Valentina in Norrköping – drinking coffee, talking pianos, playing Rachmaninoff…



Short video report about my concert last week with Norrköping Symphony Orchestra . We do more Rachmaninoff this season eith them – #2 and #3 with a run-out in Stockholm. The schedule here :http://www.norrkopingssymfoniorkester…

 

Bernstein Beethoven Leonore Overture Nº3



Leonore Overture Nº 3 in C major, Op. 72b

The Amnesty International Concert

Orchestra: Bavarian Broadcast Symphony Orchestra
Venue: Munich, Germany.
Date: 17/10/1976

Ludwig van Beethoven (1770 – 1827)
Leonard Bernstein (1918 – 1990)

 

Polovtsian Dances with Chorus (from ‘Prince Igor’)



USSR Radio Large Chor/Klavdi Ptitsa
USSR Symphony Orchestra
Conducted by Svetlanov
25k views? Well nice 😉 Check out my channel for more great compositions! 🙂

Antonin Dvorak – Slavonic Dance No. 3 (Sofia Symphony Orchestra, V. Kazandjiev)


Antonin Dvorak – Slavonic Dance No. 3,
(Sofia Symphony Orchestra, V. Kazandjiev)

Robert Schumann Fantasy for Violin and Orchestra Op. 131



Ossia Symphony Orchestra
Heesun Shin, violin
Orlando Alonso, conductor

Pachelbel’s Canon in D major- London Symphony Orchestra


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