Recorded in just two sessions in the spring of 1959, Miles Davis’sKind of Blue is widely considered to be one of the most important jazz albums ever produced. Davis assembled a group of talented musicians—including saxophonist John Coltrane and pianist Bill Evans—and gave them minimal instructions before recording. Possibly the best-selling jazz album of all time, Kind of Blue is notable for having left out something considered to be the backbone of earlier jazz composition—what? More… Discuss
Mile Davis – Kind Of Blue Full Album Concert Full HD Kind of Blue is a studio album by American jazz musician Miles Davis, released August 17, 1959, on Columbia Records in the United States. High Quality Sound Audio FLAC Which Preserve Quality of Original Uncompressed Audio Sound Recording sessions for the album took place at Columbia’s 30th Street Studio in New York City on March 2 and April 22, 1959. The sessions featured Davis’s ensemble sextet, which consisted of pianist Bill Evans (Wynton Kelly on one track), drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian “Cannonball” Adderley.
After the entry of Bill Evans into his sextet, Davis followed up on the modal experimentations of Milestones (1958) and 1958 Miles (1958) by basing the album entirely on modality, in contrast to his earlier work with the hard bop style of jazz. Though precise figures have been disputed, Kind of Blue has been described by many music writers not only as Davis’s best-selling album, but as the best-selling jazz record of all time. On October 7, 2008, it was certified quadruple platinum in sales by the Recording Industry Association of America (RIAA). It has been regarded by many critics as the greatest jazz album of all time and Davis’s masterpiece.
The album’s influence on music, including jazz, rock, and classical music, has led music writers to acknowledge it as one of the most influential albums ever made. In 2002, it was one of fifty recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2003, the album was ranked number 12 on Rolling Stone magazine‘s list of the 500 greatest albums of all time.
Kind of Blue has been cited by writers and music critics as the greatest jazz album of all time and has been ranked at or near the top of numerous “best album” lists in disparate genres. In 2002, Kind of Blue was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry.In selecting the album as number 12 on its list of the 500 greatest albums of all time, Rolling Stone magazine stated “This painterly masterpiece is one of the most important, influential and popular albums in jazz”. On December 16, 2009, the United States House of Representatives passed a resolution honoring the fiftieth anniversary of Kind of Blue and “reaffirming jazz as a national treasure”. It is included in the book 1001 Albums You Must Hear Before You Die, described by reviewer Seth Jacobson as “a genre-defining moment in twentieth-century music, period.”
All songs written and composed by Miles Davis except where noted (see content section for more information). Only six complete takes of the five songs on the album exist:.
No. Title Length
1. “So What” 9:22
2. “Freddie Freeloader” 9:46
3. “Blue in Green” (Miles Davis and Bill Evans) 5:37
4. “All Blues” 11:33
5. “Flamenco Sketches” (Miles Davis and Bill Evans) 9:26
Reissue bonus track
No. Title Length
6. “Flamenco Sketches (Alternate take)” 9:32
Tracks 1, 2 and 3 (side one on the original vinyl release) recorded March 2, 1959; tracks 4 and 5 (side two) recorded April 22, 1959. All tracks recorded at Columbia 30th Street Studio, New York City.
Miles Davis — trumpet, band leader
Julian “Cannonball” Adderley — alto saxophone, except on “Blue in Green”
Paul Chambers — double bass
Jimmy Cobb — drums
John Coltrane — tenor saxophone
Bill Evans — piano (except “Freddie Freeloader”), liner notes
Wynton Kelly — piano on “Freddie Freeloader”
Michael Cuscuna — reissue production
Don Hunstein — photography
Teo Macero — production
Jay Maisel — cover photo
Fred Plaut — recording engineering
Irving Townsend — production
Mark Wilder — remix engineer
Nat Hentoff — liner notes
Billboard Music Charts (North America)
1977: Jazz Albums — #37
1987: Top Jazz Albums — #10
2001: Top Internet Albums — #14