Alex Perelgut Keyan Halperin Robin McGhee Dragos Dumitrescu Adam Miller Andrew Hawling Raymond Spencer (YumSubs) Bryan Crockett Tom Sommerville Damien Polglase Andrew Escobar Sam Duckworth
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Little star, so you had to go. You must have wanted him to know. You must have wanted the world to know Poor little thing. Now they know. Little star, I had to close my eyes. There was a fire at the warehouse. They’re always waiting for a thing like this. Came driving from all over town, For you, little star. Little star, you, little star. (Sax solo) Little star So you had to go You must have wanted him to know You must have wanted the world to know Poor little thing And now they know Laudamus, adorramus te, Dominec. Laudamusbenedicimus Domine Deus. Laudamus, benedicimus Domine Deus. Cum Sancto Spiritu, in gloria Dei Patris. For you, little star.
http://www.democracynow.org – Legendary broadcaster Bill Moyers joins us to discuss his latest investigation which explores how the influence of large, untraceable political donations known as “dark money” have become the greatest threat to democracy in the United States. In “State of Conflict: North Carolina,” Moyers and his team explore how wealthy right-wing donors are greatly influencing state politics. “This is more than North Carolina,” Moyers says. “It’s a harbinger of how organized money is the greatest threat to democracy because it unbalances of equilibrium. Democracy is suppose to check the excesses of private power and private greed and if money disestablishes that equilibrium we’re in trouble.” Moyers, the host of “Moyers & Company,” also talks about the long fight to secure voting rights. Fifty years ago, he was serving in President Lyndon B. Johnson‘s administration at the time of the “Freedom Summer” campaign in 1964 and the formation of the Mississippi Freedom Democratic Party. Moyers has won more than 30 Emmy Awards. He also was a founding organizer of the Peace Corps, served as press secretary for President Lyndon Johnson, and was a publisher of Newsday and senior correspondent for CBS News.
Democracy Now!, is an independent global news hour that airs weekdays on 1,200+ TV and radio stations Monday through Friday. Watch our livestream 8-9am ET at http://www.democracynow.org.
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This is the first part of a series of talks by Dr. Rima Laibow MD, available on DVD from the Natural Solutions Foundation, an non-profit organization dedicated to educating people about how to stop Codex Alimentarius from taking away our right to freely choose nutritional health.
Natural Solutions Foundation : Dr. Rima Laibow MD.
The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes.[2] As with various other Beethoven works such as the Opus 27 piano sonatas, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. The work was begun in the summer of 1812, immediately after the completion of the Seventh Symphony.[3]At the time Beethoven was 41 years old. As Antony Hopkins has noted, the cheerful mood of the work betrays nothing of the grossly unpleasant events that were taking place in Beethoven’s life at the time, which involved his interference in his brother Johann’s love life.[4] The work took Beethoven only four months to complete,[3] and is, unlike many of his works, without dedication. The premiere took place on 24 February 1814, at a concert in the Redoutensaal, Vienna, at which theSeventh Symphony (which had been premiered two months earlier) was also played.[5] Beethoven was growing increasingly deaf at the time, but nevertheless led the premiere. Reportedly, “the orchestra largely ignored his ungainly gestures and followed the principal violinist instead.”[6]
TVSA (Televizija Sarajevo) 18.12.2009 – Sarajevo National Theater Christmas Gala Sarajevo National Theater´s Choir and Orchestra Conductor: Julio Marić -TV Transmission
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Chapter listing and length:
01 BEFORE THE DAWN 00:13:23 02 MAN IN AMERICA 00:17:04 03 THE ABORIGINES OF CANADA 00:24:51 04 THE LEGEND OF THE NORSEMEN 00:25:37 05 THE BRISTOL VOYAGES 00:29:53 06 FORERUNNERS OF JACQUES CARTIER 00:23:13
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This is Valentina Igoshina playing Chopin’sFantasie Impromptu in C Sharp Minor, Op. 66. Apologies for the shoddy editing! Check out my channel for information about Valentina and her music
From Wikipedia, the free encyclopedia
Valentina Igoshina
Valentina Igoshina in March 2010 at Rickman Auditorium in Arnold, Missouri
Valentina Igoshina began studying piano with her mother,[1] and first took lessons at home at the age of four. At the age of twelve she began attending the Moscow Central School of Music and became a student of Sergei Dorensky and Larissa Dedova at the Moscow Tchaikovsky Conservatory.[2]
Igoshina has also served as a teacher of piano at the Moscow Tchaikovsky Conservatory in Moscow. Between recitals and concerts, she currently divides her time between Moscow and Paris.[3] Her home in France is near Giverny in Haute-Normandie.
Álbum: Mozart, Complete Works Vol. 1: Symphonies Complete Interprete del álbum: Jaap Ter Linden & Mozart Akademie Amsterdam Compositor: Johanes Chrysostomus Wolfgang Amadeus Mozart
DURATION: 08:47
Keith Lockhart conducts Valentina Lisitsa (piano) and the BBC Concert Orchestra in the Film Music Prom.
This concert was broadcast live on BBC Radio 3 on Saturday 31st August 2013. Recorded for TV broadcast on BBC Four.
Also compare http://y2u.be/AoLvhHjacMw where Valentina shows how she first began to learn this piece. Very interesting.
Pepe Romero playing at the GuitArt festival 2011 in Belgrade, Concierto de Aranjuez by Joaquin Rodrigo and Recuerdos de la Alhambra by Francisco Tarrega, Camerata Serbica, conductor Marcello Rota
History of this traditional American folk song. It was first recorded by Dick Burnett, a partially blind fiddler from Kentucky. “Man of Constant Sorrow” is a traditional American folk song first recorded by Dick Burnett, a partially blind fiddler from Kentucky. Although he song was originally recorded by Burnett as “Farewell Song” printed in a Richard Burnett songbook, c. 1913. An early version was recorded by Emry Arthur in 1928 (Vocalion Vo 5208).
On October 13, 2009 on the Diane Rehm Show, Dr. Ralph Stanley of the Stanley Brothers, born in 1927, discussed the song, its origin, and his effort to revive it: “Man of Constant Sorrow” is probably two or three hundred years old. But the first time I heard it when I was y’know, like a small boy, my daddy — my father — he had some of the words to it, and I heard him sing it, and we — my brother and me — we put a few more words to it, and brought it back in existence. I guess if it hadn’t been for that it’d have been gone forever. I’m proud to be the one that brought that song back, because I think it’s wonderful.” There is some uncertainty whether Dick Burnett himself wrote the song. One claim is that it was sung by the Mackin clan in 1888 in Ireland and that Cameron O’Mackin emigrated to Tennessee, brought the song with him, and performed it. In an interview he gave toward the end of his life, Burnett himself indicated that he could not remember:
Charles Wolfe: “What about this “Farewell Song” — ‘I am a man of constant sorrow’ — did you write it?” Richard Burnett: “No, I think I got the ballad from somebody — I dunno. It may be my song…”
If Burnett wrote the song, the date of its composition, or at least of the editing of certain lyrics by Burnett, can be fixed at about 1913. Since it is known that Burnett was born in 1883, married in 1905, and blinded in 1907, the dating of two of these texts can be made on the basis of internal evidence. The second stanza of “Farewell Song” mentions that the singer has been blind six years, which put the date at 1913. According to the Country Music Annual, Burnett “probably tailored a pre-existing song to fit his blindness” and may have adapted a hymn. Charles Wolfe argues that “Burnett probably based his melody on an old Baptist hymn called “Wandering Boy”.
Stanley’s autobiography is titled Man of Constant Sorrow
“I am a man of constant sorrow I’ve seen trouble all my days I’ll say goodbye to Colorado Where I was born and partly raised.
Your mother says I’m a stranger My face you’ll never see no more But there’s one promise, darling I’ll see you on God’s golden shore.
Through this open world I’m about to ramble Through ice and snow, sleet and rain I’m about to ride that morning railroad Perhaps I’ll die on that train.
I’m going back to Colorado The place that I started from If I knowed how bad you’d treat me Honey, I never would have come.”
Bob Dylan stated, “Roscoe Holcomb has a certain untamed sense of control, which makes him one of the best.” Eric Clapton called Holcomb “my favorite [country] musician.” Holcomb’s white-knuckle performances reflect a time before radio told musicians how to play, and these recordings make other music seem watered-down in comparison. His high, tense voice inspired the term “high lonesome sound.” Self-accompanied on banjo, fiddle, guitar, or harmonica, these songs express the hard life he lived and the tradition in which he was raised. Includes his vintage 1961 “Man of Constant Sorrow.”
[caption id="attachment_99163" align="alignnone" width="300"] CIDSE – TOGETHER FOR GLOBAL JUSTICE (CHANGE FOR THE PLANET -CARE FOR THE PROPLE-ACCESS THIS NEW WEBSITE FROM EUZICASA)[/caption]
CIDSE - TOGETHER FOR GLOBAL JUSTICE (CHANGE FOR THE PLANET -CARE FOR THE PROPLE-ACCESS THIS NEW WEBSITE FROM EUZICASA)
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